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I’ve been really reconnecting with my Grateful Dead roots lately and one thing I’ve noticed is how much I enjoy Jerry’s voice when he’s singing with someone, be it Brent, Donna, Bobby or the ladies from the JGB. I’d say Will Johnson of Centr0-Matic and Justin Peter Kinkel-Schuster of Water Liars both fit that description for me. Whether it be Scott Danborn for Johnson or Andrew Bryant for Justin, having another voice along for the ride always seems to pull something extra out of them.

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Photo Credit: Tonje Thilesen Hop Along is Frances Quinlan (songwriter, lead vocalist, and rhythm guitarist), Tyler Long (bass), Joe Reinhart (guitar), and Mark Quinlan (drums). Frances Quinlan is a force of nature and her voice is one of the most unique in music today. Their last album, Painted Shut, was a truly outstanding album that […]

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Dryspell are a quartet featuring members of White Reaper and Hovvdy. They have an EP coming out on 3/2 via the fine folks at Highland Park Records and will be at SXSW. The first track, You Without Me, is a a rocking tune about a relationship on the precipice of the end. Here’s a little more about the band.

The twentieth century gave rise to grate masters of architecture and design. During the middle of the century on the onset and outbreak of world conflict many architects including Le Corbusier switched from the construction of design to a more theoretical exploration of design. Le Corbusier developed and patented an interesting methodology of scaling the proportions of his architecture to the human body. However his Modulor system was far from original, it was developed upon long standing systems of proportions which were historically developed in pursuit of discovering and establishing a universal proportional law.

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In the years leading up to the Second World War, France, like most of the world had fallen into an economic depression. Compounded by the political turmoil in Europe during the years of conflict, Le Corbusier and other architects from the same era found themselves increasingly restricted in the number of commissions gained from their respective homelands(25). Some of the commissions Le Corbusier received during the thirties “often included new ideas that others exploited even before he was able to do so himself in executed work.”(26) In these situations Le Corbusier was commissioned as a consultant only, like his work on the Ministry of Public Health in Rio de Janeiro which was later developed by a number of architects including Lucio Costa and Oscar Niemeyer (Fig. 9)(27). Le Corbusier began to refine his ideas in his Modulor project which he would later execute after the war.

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Primary Sources
Le Corbusier. The Modulor. New York: Faber and Faber, 1954.
Le Corbusier. Towards a New Architecture. 1986 Reprint. Mineola, NY: Dover, 1931.
Le Corbusier. "Towards a New Architecture: Guiding Principles." In Programs and Manifestos on 20th-century Architecture, by Ulrich Conrads, translated by Michael Bullock, 59-62. Cambridge, Mass.: The MIT Press, 1971.
Secondary Sources
Curtis, William J.R. Modern Architecture Since 1900. 3rd. New York: Phaidon Press, 1996.
Doczi, Gyorgy. The Power of Limits: Proportional Harmonies in Nature, Art & Architecture. Boston: Shambhala Publications, 2005.
Frampton, Kenneth. "Modern Architecture: A Critical History." 149-160. London: Thames & Hudson, 1992.
Herz-Fischler, Roger. "Le Corbusier's "Regulating Lines" for the Villa Garches (1927) and Other Early Works." Journal of the Society of Architectural Historians 43, no. 1 (March 1984): 53-59.
Hildner, Jeffrey. "Remembering the Mathematics of the ideal Villa." Journal of Architectural Education 52, no. 3 (February 1999): 143.162.
Hitchcock, Henry-Russell. Architecture: Nineteenth and Twentieth Centuries. 4th. New Haven: Yale University Press, 1977.
Loach, Judi. "Le Corbusier and the Creative Use of Mathmatics." The British Journal for the History of Science 31, no. 2 (June 1998): 185-215.
Wittkower, Rudolf. "The Changing Concept of Proportion." Daedalus 89, no. 1 (Winter 1960): 199-215.

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